HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 25, 1834 sculture This gives rise to a

This gives rise to a craftsmanship that retains the Congolese aesthetic

a poet contemplates Mount Fuji from the beach of Tago

made even more remote by the way the artist reduces the Fuji crater to a pointed peak

with an introduction by Jacques Damase

La veduta include l’unico concetto letterario anonimo di tutte le Cento vedute del monte Fuji: «Harukasumi / Kasumite inishi / Karigane wa / Ima zo nakunaru / Akigiri no ue ni» («Le oche selvatiche

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 25, 1834 sculture This gives rise to aStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New