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L’artista non si pone più come un cortigiano
printed in the only edition for XX Siècle
Laurencin built an important graphic production focused on etchings and woodcuts
Perfetto esemplare stampato in 300 esemplari su carta Fedrigoni Materica Cobalt da 360 grammi
creating a visual universe populated by classic profiles
TING WALASSE, Cocktail party, 1967 sculture L’artista non si pone piùPerfect impression. Table from Chinese Moonlight, published by Wittenborn and Company, New York in 1967 and printed by the Permild & Rosengreen press, Copenhagen. Perfect condition, with editorial margins.
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